A Statement About These Pieces
Sculpted graffiti occurring in the natural setting is not so temporary as the painted surfaces along buildings, overpasses and train cars. The touch of a tool to tree or rock is longer lasting and less easily erased by time or other touch. These images are drawn from those contemporary petroglyphs that mark unprotected natural surfaces. They are a visual collection of who was there.
The paintings may omit elements found in the original setting, but none are added, so the image is a reasonable record of the events that created the marks. Rotating the canvases engages the fluid quality of the natural world in spite of these amendments.
Who Was Here (love) 
Who Was Here I 
Who Was Here II 
Who Was Here III 
Who Was Here IV 
Who Was Here V 
Who Was Here VI 
Who Was Here IV 
Shown in clockwise order: Who Was Here (heart) Sold Who Was Here (letters) Sold Who Was Here VII
A Statement About These Pieces
More and more my work upcycles imagery found in my environment. Recreating a photograph that presents a pleasing composition is a learning experience in color and line.
Old Friends 
Mother/Children 
Generations
Environmental Regards
Pandemic Pantry 
Unsolicited A 
Unsolicited B
New Still-life images
A Statement about these pieces
These images address taking the time to reflect on the shape and colors of preferred objects to discover what makes them visually comfortable.
Personal Effects IV 
Personal Effects III 
Personal Effects II 
Personal Effects I 
Personal Effect V